Monthly Archive for April, 2010

Likely Stories and other sides (in San Diego)

May 7, 2010
6:00 pmto10:00 pm

Why not make another trip to San Diego for…

From Jacuzzi jets and irrigation ditches to dust storms and dead falcons, Glenna Jennings new exhibition Likely Stories and other sides sheds an altogether new light on the small border town of Jacumba, CA.

Known for its curing mineral waters, Jacumba was a thriving vacation spot in the 1920s. Thanks to various economic factors, including the construction of Interstate 8 in the 60s and the high-cost border wall in the 90s, Jacumba has become a peaceful if troubled enclave rather than a prosperous, overrun Mecca.

Since 2008, Jennings and her art collaborators have spent a lot of time in this spa town, moving back and forth over the boundaries that constitute insider vs. outsider research and art. Using an outdated analog technique popular for beer advertisements and kitschy wall decor, Jennings has customized a set of kinetic lightboxes manufactured in China with her own photographic documentation of the town. The result combines sculpture and photography in a manner that collapses the mundane and the sublime, loading spectacle with the charge of social and historical content.

Though Jennings touches on the trope of the U.S. / Mexican border, her work is more concerned with the eclectic histories of social phenomena like hydrotherapy and contemporary theories of the everyday. Both her written and visual works combine personal narratives with public cultures and information, creating a palimpsest that celebrates and questions the very nature of ‘The Story.’ Believing Michel DeCerteau’s assertion that “every story is a travel story,” she examines Space and Place in a context of alternating movement and repose.

Jennings’ book of the same title is an art object in itself, composed of images and ‘ficto-critical-creative-non-fiction’ writings. London-based designer Claire Waterworth (who spent a very inspiring New Year’s holiday with Jennings in Jacumba) is completing the book design for its July debuts in San Diego, Los Angeles and London.

As an artist, writer, curator, educator and director of the LA-Geneva art collective compactspace, Jennings keeps the rules to a minimum and the possibilities at an overflow. Her work has been exhibited throughout the U.S., Europe and Mexico, and will be featured in the upcoming exhibition Here Not There at MCASD (curated by Lucia Sanroman). Jennings is a native of East County, San Diego, where navigated a landscape of cheerleaders, chaparral, monster trucks and horses.

Likely Stories and other sides will be on display at the UCSD Visual Arts Facility Gallery from Tuesday, May 4th to Friday, May 7th. Please join the artist and her cohort for a reception on May 7th from 6-10pm. The celebration will feature a “marcuzzi party” in honor of the late philosopher and UCSD professor Herbert Marcuse.

She would like to thank the management of Jacumba Hotel Spa and Resort, Professor Lesley Stern, Giant Photo, San Diego Plastics, and the residents of Jacumba for their many contributions to her exhibition and book. All of these people have made her process possible on a very local and human level.

Mommy, Mommy #7: One Thousand and One Mommies!

April 4, 2010
7:30 amto9:30 am

Mommy, Mommy! keeps chugging forward.
Come join us for another fabulous night of fate, destiny, and literary madness.

Mommy, Mommy #7: One Thousand and One Mommies!

Sunday, April 4, 2010 at 7:30 p.m.

(Easter Sunday! Rumors are flying that the Easter Bunny may make an appearance…)

compactspace (next to Pussy n’ Pooch) / 105 E. 6th Street / Los Angeles, 90014

michaela walsh / mathew timmons / catherine lamb / glenna jennings

michaela walsh completed her mfa in creative nonfiction and her ma in theology, ethics in culture from the university of iowa in 2003. she is currently pursuing a phd in communication studies at the university of california, san diego. walsh’s work explores the physical space of the US/Mexico border as a biopolitical zone of classification, a site of inclusion and exclusion, entrance and exit, as a prolonged threshold that marks a place of entering or beginning, but also a point where physiological and psychological effect begins to be produced. her work has been published in the iowa journal of cultural studies and the human communication review. when she isn’t doing research, you can find her on the soccer field or at the water trying to skip stones.

Mathew Timmons is a writer, curator and critic in Los Angeles. He is the General Director of General Projects at various locations including Outpost for Contemporary Art and The Ups & Downs, an installation series, at workspace. He also is the editor of Insert Press and co-curator of Late Night Snack (w/ Harold Abramowitz). His works include CREDIT (Blanc Press) and LIP SERVICE, a chapbook published by Slack Buddha Press. Forthcoming works include: The New Poetics (Les Figues Press), his micro-book collaboration with Marcus Civin, a particular vocabulary (P S Books), and a chapbook, Lip Music (By the Skin of Me Teeth). His work may be found in various journals, including: P-Queue, Holy Beep!, Flim Forum, The Physical Poets, NōD, PRECIPICe, Or, Moonlit, aslongasittakes, eohippus labs, Area Sneaks, Artweek and The Encyclopedia Project.

Catherine Lamb is a music composer and violist, working from the traditions of American Experimentalism, Just Intonation, and Indian Dhrupad. She is interested in delicate attention to layers of sound and their shadows, intimacy, and the condition of the being. She intuitively works through mathematical forms, typically involving an opening from a central tone into a spectrum of tones and shades. At times she works with words and has been exploring the voice. Her most influential teachers have been James Tenney, Michael Pisaro, and Mani Kaul. She is currently living in Los Angeles, CA.

Glenna Jennings’ work relates directly and tangentially to cheerleaders, guns, bearded men, working class spas, the subtle intricacies of identity and the shifting definitions of Space and Place. As a photographer, writer, curator and educator, she keeps the rules to a minimum and the possibilities at an overflow. Jennings completed her first novella, Granite, and the accompanying photo series, Raskolnikov last year with a grant from the UCSD Division of Arts and Humanities. She is currently finishing her first book, Likely Stories and other sides. Her artwork is represented by Luis de Jesus Seminal Projects in Los Angeles and will be included in an upcoming show at the Museum of Contemporary Art San Diego. She is completing her MFA in Visual Arts at UCSD in a few very long weeks and will continue running the compactspace Art Collective in LA for as long as the universe allows.

Mommy, Mommy! is a project of Les Figues Press: a nonprofit, literary press dedicated to creating conversations between readers, writers and artists.
It is curated by Teresa Carmody, Janice Lee, & Anna Joy Springer.

UC San Diego Open Studios

April 10, 2010
3:00 pmto8:00 pm

JOIN us in SAN DIEGO for…

Whether constructing a massive decomposing stalactite from iron and fiberglass, recording a pirated copy of Avatar onto a virtual rotating sphere, or painting vibrant portals leading to the past’s sexy future, the visual artists of UCSD’s highly praised MFA program have practices spanning a wide range of disciplines that evoke a dialogue of remarkable currency.The artists’ works range from technological investigations and information visualizations to social interventions and material practices, all the while questioning and creating relationships with art history, critical theory, visual studies, art activism, and public culture.

More info at http://ucsdopenstudios.com/2010/